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Cover art by Joe Brozowski (as J.J. Birch). "Public Enemy Number One," script by Pat Mills and Tony Skinner, pencils by Malcolm Davis, inks by Chris Ivy; Public Enemy tries to move on from his mission, but when he sees a corrupt republic all around him, he can't resist fighting back; But that gets the attention of White Dog the Public Defender; Public Enemy stops White Dog, who killed all of the other Red Dogs like Public Enemy. "Behind the Eight Ball," script by Terry Kavanagh, art by Max Douglas; Spider-Man 2099 battles the Data Pirate; The Data Pirate steals to feed his family - or does he? "Rumors of War," script and art by Ernie Colon; Doom disguises himself and goes among his people; There he learns one of his generals has launched an ethnic war against the gypsies Doom himself was borne from; In turn, he learns of a legendary hero who defends the gypsies; But not all is as it seems. 68 pgs., full color.
2099 Unlimited (1993 Marvel) #8
Cover art by Joe Brozowski (as J.J. Birch). "Public Enemy Number One," script by Pat Mills and Tony Skinner, pencils by Malcolm Davis, inks by Chris Ivy; Public Enemy tries to move on from his mission, but when he sees a corrupt republic all around him, he can't resist fighting back; But that gets the attention of White Dog the Public Defender; Public Enemy stops White Dog, who killed all of the other Red Dogs like Public Enemy. "Behind the Eight Ball," script by Terry Kavanagh, art by Max Douglas; Spider-Man 2099 battles the Data Pirate; The Data Pirate steals to feed his family - or does he? "Rumors of War," script and art by Ernie Colon; Doom disguises himself and goes among his people; There he learns one of his generals has launched an ethnic war against the gypsies Doom himself was borne from; In turn, he learns of a legendary hero who defends the gypsies; But not all is as it seems. 68 pgs., full color.
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En punto de retiro (CABA)